Through the Looking Glass with Laguna Meth
This week, we talked with Michael from Laguna Meth.
After his first experience with a Bart Simpson tab, his way of viewing the world switched, and so did his stance on these compounds.
What he thought were substances for the weak changed his life by allowing him to see the facade forced into his mind by the media and schools since birth and pursue something more powerful. Music.
Here follows the interview!
What drew you to entering the psychedelic world?
I was 16 years and 9 months old. I was very physically fit and looking to get into Westpoint Military Academy as I wanted to help the USA continue to be the greatest country on earth. I felt those who smoked and took mushrooms were weak and wasting their life.
I had two dreams about this one girl from high school hanging out in random places in Los Angeles that were far from our area and soon after would encounter her right in these very places. I said nothing to her and just kept on my way. Then, one day in high school, she just approached me and asked me for a ride home as I was a junior with a car, and she was a freshman with no car. She took my number and said she would like to hang out. I really was captivated by her. She phoned one day and invited me to come over and hang out at her parents’ house as they were out of town. She said we could chill in the hot tub and take mushrooms.
I went off and told her how stupid that was and how she would never amount to anything, I called her two weeks later to apologize, and she said she was now dating this sketchy drug dealer guy and couldn’t talk to me. I hung up the phone, and my mother, a victim of the fall of the American dream and a bit nuts like most boomers, began throwing furniture at me over something small I didn’t even do.
I was pretty unhappy, and at that very moment, my phone rang. It was an old friend who had no longer spoken to me for a year because I criticized his druggie/slacker lifestyle. He said he and some others were going in on a sheet of acid and were short two dollars, and if I could pitch in. I had always loved Sgt. Pepper and the Beatles in general, so I quickly looked up if you could die from LSD as you could from heroin and coke, and once I found out you couldn’t, I called him back and told him I would join them and bring my 2 dollars. They were Bart Simpson tabs.
How would you describe your first psychedelic experience?
As I dropped the tab, I remembered the saying that ‘once you take LSD, you are never the same, ‘ and I was totally into that. As I put it in my mouth, I was listening to I’d rather fuck you by NWA.
We went to the movies, and I thought everyone in the theatre was so cringe and unempowered. I began to throw popcorn at them and then went to the back of the theatre until the film was over. Time passed very fast.
Then we went to Subway sandwiches, and I took my footlong sub and threw it on the windshield of a douchey-looking guy in a new BMW next to us at the stoplight. I looked at that sandwich and didn’t feel like it was food.
In retrospect, it was brominated wheat with GMO veggies, hormone-riddled cheese, and antibiotic-tainted meat with lots of seed oil in the bread and dressing.
That’s probably why the LSD helped me see that Subway was more something you throw on a BMW than eat.
I had never smoked marijuana before, and after Subway, we went up into the hills and smoked. Once I smoked, I felt like I was able to enter a world where all possible dimensions exist, I saw a giant Walrus in the sky and all these beautiful colors and glittery shapes – a voice said: ‘Do not go to Westpoint you can only help the USA and the world with music’ At that time I loved music but generally felt musicians were entitled, bratty and kind of anemic. I said: ‘Music?’ What?
Later that evening, the most important thing happened.
We went back to our friend’s house and smoked out of a big bong by the swimming pool. I had one friend on my left and one on my right. I began to see this large pink elephant and then a sphere like in The Wizard of Oz with a beautiful fairy lady in it, the bubble with the lady came closer, and I thought: ‘This isn’t real, it’s just the LSD’ and it began to fade away, then I thought ‘no it’s real, it feels real’ and then the orb came back stronger and slammed into me with the lady inside of it.
At that moment I saw every possible dimension of reality all at once, it was night, morning, afternoon, cold, warm, and each friend on either side of me was happy, sad, angry, contemplative, broken, inspired, etc. It was like there were infinite earth and people around me, then all the guys went to sleep, and I stayed up, we were at the house of Ray Manzarek. Who was in Chicago that night, and his son was hosting us.
I went into the library, which had lots of African/Asian objects and statues, as well as stuff from the 60’s and the Doors, and at least one writing by Jim Morrison (a journal or piece of paper I don’t remember). I was going to touch it and look but decided not to go near any of it, all of a sudden, the air itself became a weave of what looked like Egyptian hieroglyphs, it was like the coding of the universe.
The next morning, I was still slightly tripping, left without sleeping, and drove an hour out to the desert to wax and wash the car of an LA stuntman (I had a car washing business). He said he had taken his wedding ring off and couldn’t find it for weeks but felt it could be in the car – as soon as he said that, I saw a beautiful purple ring floating in the air and then into the car, I followed the ring until it stopped in this one odd corner behind the seat and stick shift and there was the ring, the guy was shocked.
Soon 12th grade began, and I dropped out after the first day, then I had a dream a month later with Brian Wilson of the Beach Boys and myself in heaven, he gave me a very passionate kiss like a dog would to an owner (not that I am an owner or he a dog) on the head and said ‘ I give you the gift of the melody.’ I woke up and went to the family piano and wrote my first melody.
Two years later, during a Bob Marley day festival, I looked up at the sky and saw a similar walrus figure, while the entire sky looked to be made up of different sizes and shaped plates with hieroglyphic-like writing all over them. It was as if it was some ancient coding or programming to create existential reality, including the sky.
In another instance, I had only smoked marijuana, but at the very moment there was an earthquake in Los Angeles, I heard a rumbling from the sky, and there were two giants, a man, and a woman, probably a hundred feet tall each, if not more, walking alongside a carriage with children in it being pulled by horses.
This apparition only lasted a few seconds, but I could clearly hear them murmuring to each other in some foreign language, as any adult couple may do, as they were strolling along with their kids, speaking about general things. I am convinced that this was connected to the earthquake and somehow opened up the atmosphere for me to see this through psychedelic eyes, as I had recently taken LSD and was now high on weed, which, at that time, generally brought me back to some level of psychedelic reality.
What would your post-psychedelic person would say to yourself before taking psychedelics?
I’m not sure.
How did psychedelics change the way you see the world as a person and as an artist?
I saw through the facade, the media, schools, all of it, how it was not real and not serving earth or man, as an artist it sizzled away the artifice and programming forced into my mind by the media, schools since birth,
Music.
Why did you choose the name Laguna Meth?
I had some friends from Laguna Niguel, some of their friends lived in mansions but just did meth and played video games, their high achieving parents were not around as they were busy being corporate superstars and indulging in whatever they indulged in.
I always remembered that one spooky fall afternoon in San Francisco I saw a street sign wavering in the wind, the sign was Laguna Street, it made me think about those kids on meth in Laguna Niguel and I thought ‘the American dream, the California dream is just a myth, Laguna Myth’, then when I needed a name for the project I realized Laguna Meth was a great statement because you think you have the idealistic Laguna beach dream lifestyle but there’s also a lot of neglect and kids on meth under that facade, I thought ‘how can you have an American dream when there is a CIA/FBI killing and/or spying on America’s greatest minds and achievers, starting coups all over the world and ruining the lives of millions if not billions via geopolitical and institutional treachery.’
What are some of your musical inspirations? What is your favorite band? And one song you can’t live without?
As a young kid, I loved the early 80s earnest political records of U2, I felt great magic energy from Led Zeppelin, Mystical energy from Pink Floyd and was very inspired by Syd Barrett in particular, even his solo stuff, Depeche Mode’s record Violator to me is the best record ever made right behind Sgt Pepper, I always loved the Beatles most, Queen and the amazing spirit of Freddie Mercury, The stones, Doors and Love’s ‘Forever Changes’ record. I also like harder stuff like older Metallica, System of a Down, Disturbed, and The Beach Boys, especially Pet Sounds through to the Sunflower Record. I think I would be fine without any of these songs but I’m very glad that they exist.
Have psychedelics helped you or inspired you to make music? If so, in what way?
I find psychedelics help me see and feel things in new, organic ways free of what I am supposed to be experiencing as a compromised citizen living under corporate/institutional control including music.
How do you feel when composing while under the effect of psychedelics?
Honest, flowing, and knowing.
I’ve started reintegrating music into my life after abstinence for five years. Do you find music a powerful element for our soul? Do you think there might be elements that play with our minds and alter our bodies when listening to certain music?
Music is medicinal sound plus from heaven, a wonder of reality, it penetrates our soul and mind in ways nothing else can, it comes from the eternal and the artist does not own it, that’s why some artists make the greatest music and then suck, because we don’t own it, we can only channel it if we are at the right elevation while remaining open, humble plus free of pettiness.
What does music mean to you, and what can it achieve in changing society?
Music can change society, not just the lyrics but the spirit of rock n roll changed Eastern Europe and made them question their Soviet shackles intensely, 1989 would never have happened in Czechoslovakia, Romania, Berlin, etc. without the 60s/70s rock.
When we spoke, you mentioned creating a psychedelic handbook. Can you talk more about that? What is the book’s objective, and when will it be released?
Release date who knows, hopefully 6 months or less.
The book briefly explains the truth about food, media, schools, geopolitics, history, etc. while trying to encourage a mass re-examination of the human condition and how we have the power within ourselves to support each other and thus create an impenetrable barrier between tyranny and a true, fulfilling life for all, one key is forming ‘pod groups’ loosely connected within a co-operative pod network, co-operative distribution and doing things not just for money but to also just support people, like older people should not be put in horrible retirement homes and left to rot, pod groups can support the elderly so they are not isolated, but happy and able to still do useful and fulfilling things until they die, we can grow our food, build our housing and do it in a healthy, affordable way if we can just co-operate on a global scale.
We need our own currency as well, not some crypto that fluctuates in value under the umbrella of rabid investors nor central bank currencies managed by nations who view weapons, fake democracy, and deceit as their primary tools of conducting business, housing also must NEVER be a burden, how dare the powers that be allow billions to be stressed about having somewhere to live because of a micro minority of people who are lazy and want passive income via ‘investment properties’ which are generally aesthetic nightmares and comprised of toxic materials. National central bank-backed banks also need to go.
Do you think our current educational system fails to educate us about these compounds? How would you prefer psychedelics to be taught?
Of course, THEIR education systems, not OUR educational systems, are useless. We should teach each other in a chill, casual way. The more institutional teaching becomes, the more ineffective, in my opinion. Info finds people within a magic society – we need to build a magic society, and others will join it and the psychedelic trip naturally.
Burning Man is not my idea of enlightenment. It’s a predatory, self-aggrandizing scene that goes nowhere and has done nothing to prevent us from falling off the cliff into World War 3 and medical and financial tyranny.
When we spoke, you talked about feeling the possibility of global war and dystopia. Do you still fear this might happen? And how do you think psychedelics may change this? Or we can change this as a community?
Of course, this can happen at any moment. Psychedelics not only make it hard for one to eat a Subway sandwich or watch a cringe movie, but psychedelics make it hard to hurt others with lies, usury, discrimination, or violence, and easier to connect and feel others – the more of us who are connected the better the entire picture becomes – no more trillion dollars medical complex with endless hospitals, unhealthy people, gangs, corruption, religious manipulation of the innocent who just seek a higher way, etc.
We don’t need a psychedelic community but an overall earth community of harmony and mutual support.
What do you hope to see in the future for your music and psychedelics?
A magical, cooperative, de-institutionalized global society riding on a chariot of truth and fulfillment through their life journey.
Lastly, where can people find your work?
Spotify , YouTube , Apple Music , all those platforms that pay the artists nothing while often employing censorship at the behest of the ‘THEY’ who will soon cease to intrude upon our magic reality. The book, not sure how to get that out yet, other than printing it, playing shows, and selling it for like $3. I will need to get a live band together once I finish a bunch of mixes to tour with. I’ve never had a typical band, I just find drummers and bassists here and there. I play the guitar and piano.